It’s that time of year again, the time when the discerning members of the Academy announce their nominations for the Oscars. Haha, I’m just joking…it’s that time when members go on Wikipedia, copy-paste the nominees and winners from the Golden Globes and the SAG awards, and change them just enough so it looks like they made an effort. No big surprises this year amongst the nominees…and thus far, of the nine films up for the top award, I have seen only Call Me By Your Name and Lady Bird.
I’m writing off four nominees immediately from the running: Darkest Hour, Dunkirk, The Post, and Phantom Thread. Of those, only Phantom Thread has nominations for both acting and directing–The Post has only the obligatory Meryl Streep nomination, Darkest Hour may finally give Gary Oldman an Oscar but that’s about it, and Dunkirk received a nod for Christopher Nolan but nothing in acting. But what seals the deal–devotees of Oscars & I will know the reason before I say it–is that all four of these films lack a nomination for writing. No film since Titanic (1997) has been named Best Picture without one, and the last one before that was The Sound of Music (1965).
Based on Oscars history, we can also probably eliminate Three Billboards Outside Ebbing, Missouri and Call Me by Your Name for their lack of nominations for Best Director. Only four times has a film been named Best Picture without a nomination for its director, most recently in 2012 when Argo won. However, Billboards did win the Golden Globe (although director Martin McDonagh was nominated there).
So that leaves, effectively, three nominees: Get Out, Lady Bird, and The Shape of Water. If I had to choose a likely winner, it would be The Shape of Water, given that Guillermo del Toro won the Globe for Best Director, and it leads the field with 13 nominations.
It’s actually kind of astounding to me that The Post was nominated for Best Picture, considering Meryl Streep’s Best Actress nod is its only other nomination. If it does win, it will be the only Best Picture in history without nominations for directing, writing, or editing (except for Grand Hotel [1931/32], of course, which received no nominations outside Best Picture).
I’m also waiting on tenterhooks to see if the Academy will again split the winners of Best Picture and Best Director. It has done so the previous two years (and four of the last five), and if it happens again, it will be the first time since 1935-1937 that the awards were split three years in a row. In case you want to know, the films were: :
- 1935: Best Picture, Mutiny on the Bounty; Best Director, John Ford – The Informer
- 1936: Best Picture, The Great Ziegfeld; Best Director, Frank Capra – Mr. Deeds Goes to Town
- 1937: Best Picture, The Life of Emile Zola; Best Director, Leo McCarey, The Awful Truth
Some other things I noticed:
- This is only the second year that there is both a woman (Greta Gerwig for Lady Bird) and an African-American (Jordan Peele for Get Out) amongst the Best Director nominees, both for their directorial debuts. This happened previously in 2009, when both Kathryn Bigelow and Lee Daniels were nominated.
- Gerwig is the fifth woman to receive a Best Director nomination, following Lina Wertmüller for Seven Beauties (1976); Jane Campion for The Piano (1993), Sofia Coppola for Lost in Translation (2003); and the aforementioned Bigelow for The Hurt Locker (2009), the only one to win (it also won Best Picture).
- Peele is the fifth African-American nominated in the category, after John Singleton for Boyz N the Hood (1991); the aforementioned Daniels for Precious (2009); Steve McQueen for 12 Years a Slave (2013), and Barry Jenkins for Moonlight (2016). It’s worth noting that the latter two films won Best Picture.
- Mary J. Blige is nominated for both Best Original Song and Best Supporting Actress for Mudbound, meaning she could conceivably join, in a single evening, the elite group of people who have won Oscars for acting and in a different category. There have been only five so far:
- Laurence Olivier: Best Actor and Best Picture for Hamlet (1948); the first to accomplish this feat and the only one to do it in a single year
- Barbra Streisand – Best Actress for Funny Girl (1968) and Best Original Song for A Star is Born (1976)
- Michael Douglas: Best Picture for One Flew Over the Cuckoo’s Nest (1975) and Best Supporting Actor for Wall Street (1987)
- Emma Thompson: Best Supporting Actress for Howards End (1992) and Best Adapted Screenplay for Sense and Sensibility (1995)
- George Clooney: Best Supporting Actor for Syriana (2005) and Best Picture for Argo (2012)
- Three Billboards received two nominations for Best Supporting Actor (Woody Harrelson and Sam Rockwell, who won the Golden Globe), the first film to do so since Bugsy (1991).
- With its Best Picture nomination, The Post inches Steven Spielberg closer to William Wyler’s record of directing 13 Best Picture nominees (The Post is Spielberg’s eleventh). However, without a matching Best Director nomination, Spielberg remains well behind Wyler (12) (and Scorsese ) with only seven.
- Both Daniel Day-Lewis and Meryl Streep could tie Katharine Hepburn’s record of four acting Oscars. However, only Day-Lewis could tie her record of four lead acting Oscars, if he wins an unprecedented fourth Best Actor award for Phantom Thread.
- Christopher Plummer, already the oldest acting winner of all time at 82 for his Best Supporting Actor in 2010 for Beginners, became the oldest acting nominee at age 88, surpassing the previous record holder, Gloria Stuart (nominated for Best Supporting Actress at age 87 for Titanic).
- If he wins, he’ll be the oldest winner in any category. Right now, the record is held by Ennio Morricone, who won Best Original Score two years ago at age 87 for The Hateful Eight (2015).
And there we have it! If I think of any more, I’ll update the post…but those are what leapt to mind first!